READ BOOK Lore of the Chinese Lute AUTHOR Robert van Gulik – pullanmaths.co.uk
Download ô PDF, eBook or Kindle ePUB Ã Robert van GulikIal music continued to be associated with the in even as it evolved primarily into a solo instrument During the later Han dynasty the powerful Confucian literati made the in their special instrument even as it became the sole surviving repository of the ancient magical notions associated with ceremonial music which now blended with Taoist beliefs on life preservation and immortality During the Sui and Tang periods in music reflected the increased influence of foreign ideas and customs within Chinese society as the in was sed to produce tunes with Central Asiatic flavours as well as tunes inspired by Buddhist ideals of emptiness and restraint At the same time conservative scholars began to reactively define in ideology as a province of pure Chinese culture These various originally conflicting ideas blended and during the Sung dynasty and in the Ming dynasty the various eclectic elements became Descent into Chaos unified as one single in ideology which gave expression to the highest ideals of literary life and elegant refinement Amidst the Ming efflorescence of Chinese art and culture in music reached its acme and in ideology was elaboratedpon and given definite shape It was during the Ch ing dynasty that decline set in Although the scholarly culture that surrounded the lute now belongs to the past the future of the in van Gulik concluded is bright for he believes that what is really good and beautiful will last forever The resurgence of the in in recent years bears out van Gulik s optimismThis book will delight not only the scholars but also the musicians among the readers in students will benefit especially from the sections on the symbolism of the tones and the finger techniues As van Gulik points out sections that touch on the deeper ideological meanings of in musical tones and fingering were left out of in handbooks printed in the Ch ing Dynasty I note that they are also left out of handbooks being printed today Hence such excerpts from Ming dynasty handbooks that van Gulik presents are most instructive and helps to re Robert van Gulik is an amazing person Check this is the book on Guin which is a musical instrument played in China and Japan from ancient time And I also play Guin every morning before my brain becomes fully digital All too freuently historians even cultural historians ignore music even though every living person knows how important music is to his or her own personal culture This is due perhaps at least in part to the transient nature of music but I fear it is also due to scholarly prejudices concerning the triviality of music But in some cultures such as the Greek and Chinese music was a central supporting pillar of the entire religiouspoliticalsocial edifice of the High Culture The Dutch diplomat orientalist and author Robert van Gulik 1910 1967 previously known to me for his translation of 18th century Chinese texts relating the exploits of an investigating magistrate Dee Goong An Celebrated Cases of Judge Dee and the subseuent composition of his own detective stories based on the original T ang dynasty character also wrote Lore of the Chinese Lute An Essay in the Ideology of the Ch in 1940 a one of a kind at least in English examination of all aspects of the ch in in a Chinese zither or lute from its origins sometime in the second millennium BCE through the techniues of play and the repertoire of the instrument to its deep significance for Chinese High Culture As one can hear via the links I provide #below the ch in is not really sed to play "Tunes Though It Can Be "though it can be to accompany singing #the ch in is not really sed to play tunes though it can be The Icarus Girl used to accompany singing the chanting of poetry Instead the focus of the play and audition of the ch in is on each individual A new book by Daniel Wile hopes to The Fall Guys lore is kind of dark | GamesRadar Fall Guys is a wildly successful party game that's 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Dictionary lore lr n Accumulated knowledge or beliefs held by a group about a subject especially when passed from generation to generation by oral tradition See Synonyms at knowledge Middle English from Old English lār; see leis in Indo European roots lore lr n The space between the eye and the base of the bill of a bird or between the eye Lore | For The King Wiki | Fandom Lore is sed to purchase game changing items locations and characters from the Lore Store Lore can be earned while playing the game and engaging in combat completing ests and making discoveries If the settings of the game are changed via'House Rules' then lore payout is capped at % V Lore of the Bloodlines Onyx Path Publishing Lore of the Bloodlines is a single volume companion to Lore of the Clans that revisits some of the bloodlines in Vampire The Masuerade th Anniversary Edition providing story hooks character concepts history and bloodline specific rules The secrets of the Baali Daughters of Cacophony Gargoyles 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Old world colonist feel wry comments in Latin really a fantastic place to begin to nderstand music within Chinese cultural and philosophical lifewell written in the Dr Johnson sense R H van Gulik combined a guin player s love and appreciation of his instrument with a Sinologist s gift of objective historically informed research to write this groundbreaking study of the Chinese 7 string guin and its ideology a book that stands niue and still Marie Antoinette unparalleled amongst the literature on the in for its thorough linguistically masterful and historically contextualized treatment of the subject van Gulik chose tose the word lute instead of the sual term zither for the guin since lute is the word which since olden times in the West has been associated with all that is artistic and refined and sung by poets With this nusual yet perceptive choice of name in translation van Gulik set the tone for his book as one that would reveal the palimpsest of ideological meanings accumulated through 3000 years of history that have made the guin the highest symbol and expression of Chinese literary culturevan Gulik s impressive grasp of Chinese language literary culture history and philosophy and his own abilities as a scholar official he was a high ranking diplomat in the Dutch foreign service a gifted linguist and Sinologist a successful fiction writer and a player of the in eminently euipped him to write as an insider on this hoary subject At the same time he brought Western rational perspectives of objective socio historical scholarship to bear on a topic which had heretofore been steeped in 3 millenia of mysticism and lyricism Not only are the subjective and objective lyrical and socio historical aspects of his study well balanced the author displays the mark of genuine humility as well as wit and good humor With such harmony between intellect and heart character and learning the result cannot be anything but gratifying Indeed the treatise is a feast of the intellect that satisfies poetical musical artistic historical ideological and philosophical tastesAs a student of the in I had been puzzling over the various strands of ideological influence apparent in in music and ideology wondering how I can begin to tease out the interactions of Confucianist Taoist and Buddhist influences in in music and their impact Programming in Objective C upon it through time In this book van Gulik addressed thoseestions that had piued my curiosity with a thoroughness and vision that exceeded what I had dared imagine was possible The sources for such a study are so scattered and so rare and the field so ntouched van Gulik had to collect the original materials one by one sometimes than a year passing by before a rare item was at last found in the dim corner of some Chinese or Japanese bookstore van Gulik humbly calls his study an essay but it is as much a treatise as it is an essay He presents a copious amount of original sources in Chinese along with his own English translations He discusses these materials in their relevant musical literary socio historical philosophical and religious contexts He traces the evolution of in music and ideology correlating them with larger trends and changes through the different dynastic periods His commentary sparkles with original insight and the thesis he advances about the history and formation of in ideology is based on sound analysisvan Gulik found that in ideology had early roots in ceremonial orchestral music its earliest appearance being in the Book of Odes in the Western Chou period 1122 770 BC where it was associated with another instrument #the Se with which it was played The magical connotations of this ancient ceremon. 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Ote its The Year of Living Biblically uniue pitch tone and timbre richly supported by the percussive capabilities of the instrument For this reason the notationsed for recording the repertoire of the ch in indicates not just the pitch of the note but also with which string and with which fingers of which hand and with which techniue the note is plucked and stopped Top view of a ch in The ch in is large and reuires special woods and construction techniues so it was always expensive an exuisite treasure jealously guarded by the literati To play it properly reuires much training and practice so the ch in found in the library of many literati was likely to be a family heirloom than to be competently played much like the grand piano found in the drawing room of a certain class of Western elites Nonetheless the ch in occupied a special place in the ideology of the Chinese elite and the explication of this ideology and the significance it had for Chinese culture is the primary focus of van Gulik s book In the Chinese tradition music was a direct expression of the harmony of the niverse its laws and structure and was to be sed along with certain rites to awaken people from the distractions of the trivial to harken to the eternal In the words of the Li chi the Book of Rites Music has a profound influence on man it can improve customs and ameliorate morals Indeed The kings of olden times instituted rites and music not to satisfy the mouths and stomachs the ears and eyes but in order to teach the people to balance their likes and dislikes and to bring them back to the Right Way Van Gulik reviews the literature particular to the ch in which dates back to the beginning of our era to show that the playing and the audition of the ch in became a way to enlightenment and that the associated ideology became so elaborate and complete that each note of the ch in had its own special associations and evoked a specific emotion The ch in and its repertoire became the sole official counterweight apart from the ancient music accompanying state rites which were witnessed only by a select handful of persons in any case to the increasingly foreign songs of Cheng and Wei The samurai had their bushido but the Chinese literati had their ch in tao the Way of the Lute and Lore of the Chinese Lute makes this neglected corner of Chinese culture available to the Western reader Personally though I have listened with pleasure to the ten or so discs LP and CD of ch in music I have in my collection I had no idea of its deeper significance aside from the in the moment pure minded transcendence of the 10000 things obvious to anyone familiar with Buddhism Of course this was the official line Van Gulik shows that even among the elite conformity to that line was far from perfect Consider for example a ote from Prince Wen of Wei 426 387 BCE When in full ceremonial dress I must listen to the Ancient Music I think I shall fall asleep but when I listen to the songs of Cheng and Wei code for popular music I never get tired In Sui and T ang times the Chinese adapted much from Indian and Central Asian musics into their own songs of Cheng and Wei which were then played even at the imperial court as van Gulik mentions and as is developed in depth in the very interesting Music from the Tang Court Volume 7 Some Ancient Connections Explored which connects Japanese court music gagaku with T ang dynasty music which in #TURN IS CONNECTED WITH MUSICS AS FAR AWAY AS #is connected with musics as far away as and Greece In this book van Gulik also touches pon the influences of Buddhism and Taoism on the ch in taoLinks to recordings you like these make a youtube search on guin music to find a few hours worth of recording. N folklore Loree – Paris – Fabricant de hautbois depuis My Loree is the For the Love of All Thats Holy, Dont Buy a Boat When Venus is in Retrograde ultimate creative tool I feel like I can do anything Mary Lynch Principal Oboe of the Seattle Symphony Un grand merci la famille de Gourdoni travers les instruments Lore continue faire vivre le
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Robert van Gulik